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Bernard Dieterle / Manfred Engel /
Dieter Lamping / Monika Ritzer:
KulturPoetik – a Journal Presents Itself
(1)
Today, a cultural approach is the most vital and promising
paradigm of literary studies. This message has been widely
acknowledged. What we still do not know, however, is what the
new magic formula "literary studies as cultural poetics"
really implies.
Literary studies as cultural poetics are, first of all,
marked by their special point of view and their
characteristic thematic attention: they regard literature as
a part of overall culture, focussing on its participation in
constituting, handing down and altering cultural meaning and
signs. Hence, they pay particular attention to basic
anthropological topics (such as: love, death, states of
ecstasy and intoxication, insanity, dreams, the body, memory,
social conventions, gender, etc.) and the corresponding
cultural techniques as well as to intercultural contacts and
conflicts. They examine interactions between literature and
the system of knowledge, between literature and other media (intermediality
and media competition) and the specific medial contribution
of literature to cultural communication, sign-formation and
the shaping of perceptions. Yet, they also reflect the
poetics of culture, proto-poetic elements within the system
of knowledge, the media, social relationships and everyday
life.
From a methodological point of view, the study of cultural
poetics has been but vaguely outlined; KulturPoetik shall be
open to all schools and approaches, including the
non-established ones – the editors hope for lively and
controversial debate.
KulturPoetik will appear twice a year, each
number comprising approximately 150 pages. In addition to the
sections for essays and for reviews (as of issue 2), every
issue will include the following sections: "Forum" (for brief
statements regarding current problems or for comments on
articles in previous issues); "Veranstaltungshinweise
(Events)/Calls for Papers" and "Neuerscheinungen (New
Publications)". For these sections, we warmly invite
information and contributions from our readers.
The first two issues of KulturPoetik will be closely
interlinked (2), as they
present the contributions to a symposium on the question "Literary
Studies as Cultural Poetics?". Most of these essays exploit
the particular mine of conceptual and methodological
innovation which is opened by practical research work. So
they can supplement the – well-known and well documented –
debate on schools and methods of cultural studies
(3) in a welcome and stimulating way.
Therefore, the editors considered these essays particularly
suitable for starting off a new journal. For all following
issues, we do require offers of contribution – and hope for
essays from as many countries as possible and from the most
diverse schools of culturally oriented literary studies.
KulturPoetik offers itself as a forum for all
fields of cultural poetics. The name of the journal denotes
its objective: it shall be devoted to all cultural aspects of
literature and to all literary aspects of culture.
Theoretical contributions are as welcome as research on
individual subjects. Since cultural poetics is aimed at
crossing boundaries of all kinds, we are particularly
interested in interdisciplinary and comparative work.
The editors attach great importance to two points: (1)
Cultural poetics shall remain a field of literary studies and
must neither forsake its special point of view (and its
identity as a discipline) nor neglect the characteristic
input that literature adds to overall culture and its own
individual dynamics. Occasionally, KulturPoetik will publish
articles on general cultural matters, yet, in its core, it
will remain a journal for literary studies. (2) All
contributions should be written in a way that appeals not
only to scholars, but also to interested laypersons.
The journal addresses: students; lecturers in cultural
studies, in the philological disciplines (in particular
German, English, American and Romance studies, as well as
comparative literature) and in all disciplines relating to
philosophy and the history of science; teachers in the
humanities; persons engaged in the cultural sector in
whatever sphere of activity; all readers interested in
culture and literature and in their common history.
For the terms of subscription, please check the Internet or
contact the publisher. Please note our favourable
introductory offer and the special conditions for students.
The Editors
(1) English translation by Leila
Kais-Heinrich. [back]
(2) In future, roughly every second issue
of KulturPoetik will deal (at least partly) with a specific
subject. External editors are welcome to involve themselves
here. [back]
(3) Cf. the bibliography attached to this
issue. [back] |